london1967: (knocker)
Apart from our trip to Prague and mine to Turin (and of course work), the last 4 weeks have been busy with a few things.

First it was the residents' association's Arts & Music Festival which consisted of an afternoon event (art and crafts stalls mainly) and of a music and dance evening.
For the event we provided one cake each (and we were not the only ones of course).
Adrian made a lovely Raspberry and Buttercream Victoria sponge

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while I baked (second time) a Chocolate Genoise Sponge filled with Italian meringue and hazelnut praline buttercream.

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It took me a few hours (no-one can say that I don't love my neighbours! LOL) but it was very well received.

In the afternoon we were there with our Blooms of Penge stall:

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and Adrian was MC for the evening event, which turned out really good!

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A few days later before heading off to Prague, we went to the Italian Cultural Institute in Belgrave Square

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for an evening of Italian silent films, all shot in Turin.

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5 movies were about 100 years old, filmed just before Word War I, while the 6th (not listed there) was new. The director of this last film was there to introduce them all, and the composers/orchestra that provided the music for it also accompanied some of the other features.

One of the films showed Turin during the 1914 (or 1913) Carnival and it was very interesting to see Via Po crowded with people and Piazza Vittorio Veneto with a roller coaster (although at the time was named after King Vittorio Emanuele I - Vittorio Veneto in one of the few victorious battles in WWI).

A small rinfresco followed the projection:

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(I think Adrian was munching on a hard tarallo, hence the expression!)

Yesterday we entertained a couple of the Italian taxpayers who made that event possible, our friends Carlo and Lucia.
We invited them round for afternoon tea and... well we got baking!
Michael and Christopher gave Adrian a recipe book entitled "80 Cakes from Around the World" and we used it as our inspiration.
I baked Bara Brith (Wales), Macaroons (France) and Helsinki Caramel Cakes (Finland) - pictured below - and added some fruit tarts too.
Adrian made all the sarnies (Coronation Cicken; Cucumber and Cream Cheese; Smoked Salmon) and baked a batch of fruit scones and one of cheddar cheese ones. And of course set everything out just so beautifully.

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Our friends were quite impressed and we all had a lovely afternoon/early evening chatting and eating!
london1967: (Default)
As you probably know, Adrian ([livejournal.com profile] london1952) has been attending an Italian evening class since last September.

Last night they had a class outing to the Globe Theatre



to see Shakespeare's "Julius Caesar" in Italian, as part of an international programme



37 plays, 37different languages

Roberta - the teacher - had some spare tickets and Adrian managed to talk me into going.

The evening for Adrian and myself started with an Italian meal at Zizzi's.
 
The restaurant is so close to Southwark Bridge you are almost under it

 


I had the Zizzi's platter of assorted 'affettati' for starter and Adrian bruschetta

 


followed by 'Penne alla Vodka' for me and Pizza 'Mezzo Mezzo' for Adrian (it should really be 'Mezza e Mezza' as pizza is feminine but hey  'gnocchi' was spelled without the 'h' on the menu)



We really enjoyed the meal although we were a bit pressed for time.

The Globe theatre is just round the corner. I made the lady that checked our tickets laugh when she asked "How's your Italian, gentlemen?" and I replied "Mine's excellent"!

Watching a play at the Globe is certainly an experience.
It's a circular theatre and the centre is opened to the elements: with impeccable timing, it started raining just before the play started and stopped when it finished.
Not that we had to worry as we were not standing in the pit but sitting on the benches in the gallery





But please don't think we had it easy. The benches - even with cushions - were hard and halfway through the first half we were shuffling in out seats, trying to find a position that didn't hurt our backs.
Adrian was in pain and he said that he thought he was going to pass out.
Of course, as we didn't want to disturb the people sitting next to us, we waited until finally the interval came.

By then quite a few people had left. Was it the rain for the standing audience? Was is the benches for the people in the gallery? Or did they find it hard to follow the play in Italian? Or was it *gasp* the performance itself?

I say it was the performance. Adrian gave it a score of 1 out 10 (and I believe that the 1 point was gained by sending out Mark Anthony in jeans that showed quite a bulge!).

How can I describe it?
Well, imagine your Romans clad in sunglasses, jeans and leatherette coats with tails, the scenery made up of a broken chair, and of 3 wooden doors on castors moved around the stage the whole time, the bier 'built' with two plastic dustbins with another bloody door on top.

Picture the actors rolling and prancing about on the stage, putting light bulbs in their mouths, jumping up the doors and climbing on top of each other and even inside the dustbins. 


Come back for more?  What? Are you NUTS?

In the interval we decided that we were going to stay as long as we could move to the row behind (some people had left by then) where it was possible to rest our backs against the wall.
And so we did, and sat through another hour of this modern, self-indulgent monstrosity.

The performance was certainly very energetic but it failed to draw me in.
I couldn't really care about what was supposed to happen to the characters (you had to use your imagination - Caesar was stabbed by drawing red lines in crayon on the chair; Cassius was killed by a soldier who perched on his shoulders and rubbed red dye on his bald head).

Yes there was applause and even cheers at the end. Was it relief? Or perhaps politeness? Or maybe it was friends and relatives?

I for one was very relieved when we left and went back to normality, whatever that may be.




london1967: (Default)
Sometimes I like to go on YouTube and look up old Italian songs.
Yesterday I woke up with "Mille lire al mese" in my head and this lead to the discovery of the "Italian Harmonists"



and their version of the song.

And as we say in Italian, "una ciliegia tira l'altra" and it was soon the turn for another song: "In un vecchio palco della Scala".

Here are not one but four versions!

The original from a 1953 film



a better version from 1960 (also by the Quartetto Cetra)


one by Pavarotti (which weirdly starts with Mancini's Pink Panther)


and finally an amusing version by the Italian Harmonists

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